Lolita Movie aus Wikipedia, der freien Enzyklopädie
Im Sommer des Jahres verliebt sich der College-Professor Humbert Humbert rettungslos in die erst zwölfjährige Lolita, und dank einer unglaublichen Verkettung von Umständen gelingt es dem kultiviert-dekadenten Europäer, das Mädchen mit der. Lolita ist ein US-amerikanisch-französisches Filmdrama von Adrian Lyne aus dem Jahr Die Hauptrollen spielten Dominique Swain und Jeremy Irons. Lolita ist eine britisch-amerikanische Liebeskomödie des Regisseurs Stanley Kubrick aus dem Lolita in der Internet Movie Database (englisch). Filmkritik in der. Lolita () [dt./OV]. ()IMDb 6,92 Std. 17 MinX-Ray Im Sommer des Jahres verliebt sich der College-Professor Humbert Humbert rettungslos. Film: Lolita () - die-kreativecke.eu: Filme, Kinos, Kinoprogramm, 3D, Charts, DVD, Video, Startdaten, Releases, Trailer und Bilder. Regionalisiert für die ganze. All he does is keep her hostage throughout the whole movie. Lolita () Reading Nabokov's book in high school is what really turned me onto watching. Lolita (). Drama | USA | (DVD & Video:
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Lolita (8/14)
Humbert geht in die Küche und bereitet zwei Drinks zu. Beale Angela Paton : Mrs. Dominique Swain spiele ihre Rolle ausgezeichnet. Filme von GrandmaS Boy Stream Deutsch Kubrick. Oswald Morris. Eine Kritik von Rolf-Ruediger Hamacher. Irrational Man. Deutscher Titel. Auf seine Bitte hin verlassen sie Beardsley und beginnen eine scheinbar planlose Tour durch die Staaten nach New Mexico. Melinik Michael Goodwin : Mr. Das Geisterhaus. Während dieser Reise werden sie — wie sich später herausstellt — von Quilty verfolgt, der es auf Lolita abgesehen Schloss Einstein Staffel 21. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Anthony Grisaia No Kajitsu. Aber sehr bald kommt Spider Verse bei dem ungleichen Paar zu Konflikten. But Sue Lyon was too old for her part and Sellers' Quilty is an altogether different conception from the author's not that he isn't lots of fun.
The film also suffers from having been filmed in the UK. Nabokov had a complex vision of America - vast, tacky, seductive, and grindingly mundane all at the same time - and this just can't be conveyed in a studio and with a few well-chosen locations.
That's where Lyne's version excels. His compositions or his cinematographer's are indeed beautiful to look at, and I think capture suburban and roadside America very much the way Humbert would have experienced them.
Irons is fine as Humbert, although the typecasting was initially painful to contemplate, and Swain is a vast improvement over Lyon as young Dolores: still a bit too old for the part an inevitable problem, perhaps, for anyone who wants to film this book , but her intelligent performance makes up for this.
Despite his cheesy reputation, Lyne wisely refrains from making his Lolita a teenage bombshell, something the more artistic Kubrick couldn't resist.
Again, however, the problem is Quilty. Both directors obviously felt compelled to render in three dimensions a character who is one of Nabokov's phantoms: Does he really exist?
Who is he and what do we know about him, outside of Humbert's increasingly paranoid imaginings? Can we trust anything at all that's said about him in this book?
I expect that Nabokov himself regretted having to bring Quilty out of the shadows at all for the denouement. Sellers carried off the role with style, making you forget for a moment that his routines seem to have wandered in from another film.
Lyne turns the final confrontation between Humbert and Quilty there is no flashback framing device, as in Kubrick into pure Grand Guignol, and so we have to endure watching poor, paunchy Frank Langella running down a hallway of his ridiculously overstuffed house, his bathrobe falling open to reveal his endowments to our embarrassed gaze before being blown away Dirty Harry-style by the avenging Humbert.
A major wrong note to say the least. So Quilty, in the end, defeats both of Nabokov's filmic approximators.
But if you love the book, see both movies: Kubrick and Lyne each capture different aspects of the master's great story in valuable ways, and the new Lolita is clearly Lyne's best work yet, proving that a great novel can inspire excellent filmmaking, if not guarantee an "ideal" adaptation.
What we really need now, however, is not a third version of Lolita, but finally, a filming of Lolita: A Screenplay.
Nabokov had fun writing this, and any fan of his should read his script as well. Wouldn't you like to see a move of Lolita in which Humbert, searching through the woods for his Lo, encounters a butterfly collector named Vladimir Nabokov?
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Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. He is given the name of Charlotte Haze as someone who is renting a room in her home for the summer.
He finds that Charlotte, widowed now for seven years, is a woman who puts on airs. Among the demonstration of those airs is throwing around the name of Clare Quilty, a television and stage script writer, who came to speak at her women's club meeting and who she implies is now a friend.
Those airs also mask being lonely, especially as she is a sexually aggressive and liberated woman. Humbert considers Charlotte a proverbial "joke" but Written by Huggo.
This film remains my all-time favorite. It's a delicious, adult meditation on youth, obsession and sex. While not entirely faithful to the novel, it captures the book's spirit and is nonetheless a masterpiece on its own terms.
To fully appreciate what Kubrick has done, compare this version to Adrian Lyne's anemic remake. Kubrick chose his cast wisely for the most part.
James Mason conveys both the tormented inner soul and the outwardly polite gentleman with such charm that you simply can't despise him for his treachery.
Shelley Winters was never better as the shrill, man-hungry shrew. Sue Lyon is enormously credible in a complex role - physically attractive, childish at times in her behavior, but quietly calculating and manipulative.
The weakest link is Peter Sellers, who Kubrick found amusing enough to let him run on too long. Sellers was a brilliant performer, but just not right for this film.
As Quilty, he's fine. When masquerading as others, he's mostly intrusive and tends to alter the tone of what's going on.
The need to tread carefully around the censors in actually works in the film's favor. There's a sophisticated subtlety that counterbalances the lurid subject matter.
In fact, I even prefer the edited-for-television version of the scene in which Humbert and Lolita first have sex. Here she merely whispers in his ear before a suggestive fade-out.
In the complete version of the film, the scene continues with them discussing a silly game played at summer camp. The less said, the better.
Its topic is relevant today, and the careful craftsmanship that went into this production holds up beautifully.
I think it's Kubrick's best film - they tended to get more self-indulgent as time went on. This one's a gem. Not to be overlooked are the aptly provocative title sequence and Nelson Riddle's luscious piano score.
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Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. After being chased by the police, Humbert is arrested and sent to prison.
He dies in prison in November of due to a coronary thrombosis , and Lo dies the next month on Christmas Day from childbirth complications. The first screen adaptation of the book, 's Lolita , was credited solely to Nabokov, although it was heavily revised by Stanley Kubrick and James Harris and was directed by Kubrick.
The screenplay for the version, more faithful to the text of the novel than the earlier motion picture, is credited to Stephen Schiff , a writer for The New Yorker , Vanity Fair , and other magazines.
Schiff was hired to write it as his first movie script, after the film's producers had rejected commissioned screenplays from the more experienced screenwriters and directors James Dearden Fatal Attraction , Harold Pinter , and David Mamet.
Right from the beginning, it was clear to all of us that this movie was not a "remake" of Kubrick's film. Rather, we were out to make a new adaptation of a very great novel.
Some of the filmmakers involved actually looked upon the Kubrick version as a kind of "what not to do. Schiff added that Kubrick's film might better have been titled Quilty , since the director had allowed the character of Quilty to "take over the movie".
Lyne states in the DVD commentary that he prefers location shooting even though it is more difficult in some respects; and that the home of Charlotte Haze was filmed in Wilmington, North Carolina.
Lolita premiered in the United States on Showtime on August 2, Due to the difficulty in securing a distributor, the film received a limited theatrical run in the US on September 25, , in order to qualify for awards.
James Berardinelli praised the performances of the two leads, Irons and Swain, but he considered Griffith's performance weak, "stiff and unconvincing"; he considered the film better when she no longer appeared in it and concluded: " Lolita is not a sex film; it's about characters, relationships, and the consequences of imprudent actions.
And those who seek to brand the picture as immoral have missed the point. Both Humbert and Lolita are eventually destroyed—what could be more moral?
The only real controversy I can see surrounding this film is why there was ever a controversy in the first place. Commenting on differences between the novel and the film, Charles Taylor, in Salon , observes that "[f]or all of their vaunted and, it turns out, false fidelity to Nabokov, Lyne and Schiff have made a pretty, gauzy Lolita that replaces the book's cruelty and comedy with manufactured lyricism and mopey romanticism".
All music is composed by Ennio Morricone [20]. From Wikipedia, the free encyclopedia. Theatrical release poster.
Mario Kassar Joel B. David Brenner Julie Monroe. Release date. Running time. Melinik Michael Goodwin as Mr. Beale Angela Paton as Mrs.
Leigh Annabelle Apsion as Mrs. United States portal France portal Film portal s portal. British Board of Film Classification.
Retrieved February 2, Box Office Mojo. Retrieved August 15, The Numbers. The New York Times. Retrieved March 28,
User Reviews Worth seeing if Geisterspiel love the novel 22 November by ericl-2 — See all my reviews. Beale Angela Paton User Ratings. The film has the same "3 years later" time jump as Lolita Movie novel, but there's no way from summer Prosieben Live Stream Gntm to fall of could they have spent a year Luke Bracey the country, stayed in Beardsley for most of the school year, had another few months on a second cross country trip, and then have Humbert searching for Lolita for 3 years. The music for the film was composed by Nelson Riddle the main theme was by Bob Harris. Lolita's friend, Mona Dahl, is a friend in Ramsdale the first half of the story in the film and disappears quite early in the story.While not entirely faithful to the novel, it captures the book's spirit and is nonetheless a masterpiece on its own terms. To fully appreciate what Kubrick has done, compare this version to Adrian Lyne's anemic remake.
Kubrick chose his cast wisely for the most part. James Mason conveys both the tormented inner soul and the outwardly polite gentleman with such charm that you simply can't despise him for his treachery.
Shelley Winters was never better as the shrill, man-hungry shrew. Sue Lyon is enormously credible in a complex role - physically attractive, childish at times in her behavior, but quietly calculating and manipulative.
The weakest link is Peter Sellers, who Kubrick found amusing enough to let him run on too long. Sellers was a brilliant performer, but just not right for this film.
As Quilty, he's fine. When masquerading as others, he's mostly intrusive and tends to alter the tone of what's going on.
The need to tread carefully around the censors in actually works in the film's favor. There's a sophisticated subtlety that counterbalances the lurid subject matter.
In fact, I even prefer the edited-for-television version of the scene in which Humbert and Lolita first have sex. Here she merely whispers in his ear before a suggestive fade-out.
In the complete version of the film, the scene continues with them discussing a silly game played at summer camp.
The less said, the better. Its topic is relevant today, and the careful craftsmanship that went into this production holds up beautifully.
I think it's Kubrick's best film - they tended to get more self-indulgent as time went on. This one's a gem. Not to be overlooked are the aptly provocative title sequence and Nelson Riddle's luscious piano score.
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Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews.
User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Wouldn't you like to see a move of Lolita in which Humbert, searching through the woods for his Lo, encounters a butterfly collector named Vladimir Nabokov?
Of course you would! Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show.
Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew.
Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites.
User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. An English professor falls for a minor , and has to face the consequences of his actions.
Director: Adrian Lyne. Writers: Vladimir Nabokov novel , Stephen Schiff screenplay. Added to Watchlist. From metacritic.
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Edit Cast Cast overview, first billed only: Jeremy Irons Humbert Humbert Melanie Griffith Before long, people begin to wonder about the relationship between father and his over-protected daughter.
Humbert worries about her involvement with the school play and with male classmates. One night he returns home to find Dr. Zempf, a pushy, abrasive stranger, sitting in his darkened living room.
Zempf, speaking with a thick German accent, claims to be from Lolita's school and wants to discuss her knowledge of "the facts of life.
While attending a performance of the play, Humbert learns that Lolita has been lying about how she was spending her Saturday afternoons when she claimed to be at piano practice.
They get into a row and Humbert decides to leave Beardsley College and take Lolita on the road again. Lolita objects at first but then suddenly changes her mind and seems very enthusiastic.
Once on the road, Humbert soon realizes they are being followed by a mysterious car that never drops away but never quite catches up. When Lolita becomes sick, he takes her to the hospital.
However, when he returns to pick her up, she is gone. The nurse there tells him she left with another man claiming to be her uncle and Humbert, devastated, is left without a single clue as to her disappearance or whereabouts.
Some years later, Humbert receives a letter from Mrs. Richard T. Schiller, Lolita's married name. She writes that she is now married to a man named Dick, and that she is pregnant and in desperate need of money.
Humbert travels to their home and finds that she is now a roundly expectant woman in glasses leading a pleasant, humdrum life.
Humbert demands that she tell him who kidnapped her three years earlier. She tells him it was Clare Quilty, the man that was following them, who is a famous playwright and with whom her mother had a fling in Ramsdale days.
She states Quilty is also the one who disguised himself as Dr. Zempf, the pushy stranger who kept crossing their path. Lolita herself carried on an affair with him and left with him when he promised her glamour.
However, he then demanded she join his depraved lifestyle, including acting in his "art" films, which she vehemently refused. Humbert begs Lolita to leave her husband and come away with him, but she declines.
The epilogue explains that Humbert died of coronary thrombosis awaiting trial for Quilty's murder.
With Nabokov's consent, Kubrick changed the order in which events unfolded by moving what was the novel's ending to the start of the film, a literary device known as in medias res.
Kubrick determined that while this sacrificed a great ending, it helped maintain interest, as he believed that interest in the novel sagged halfway through once Humbert was successful in seducing Lolita.
The second half contains an odyssey across the United States and though the novel was set in the s, Kubrick gave it a contemporary setting, shooting many of the exterior scenes in England with some back-projected scenery shot in the United States, including upstate eastern New York, along NY 9N in the eastern Adirondacks and a hilltop view of Albany from Rensselaer , on the east bank of the Hudson.
Kubrick had to film in England, as much of the money to finance the movie was not only raised there but also had to be spent there. Mason was the first choice of Kubrick and producer Harris for the role of Humbert Humbert, but he initially declined due to a Broadway engagement while recommending his daughter, Portland , for the role of Lolita.
Kubrick considered Peter Ustinov but decided against him. Harris then suggested David Niven ; Niven accepted the part but then withdrew for fear the sponsors of his TV show, Four Star Playhouse , would object.
Mason then withdrew from his play and got the part. The role of Clare Quilty was greatly expanded from that in the novel and Kubrick allowed Sellers to adopt a variety of disguises throughout the film.
Early on in the film, Quilty appears as himself: a conceited, avant-garde playwright with a superior manner.
Later he is an inquisitive policeman on the porch of the hotel, where Humbert and Lolita are staying. Next he is the intrusive Beardsley High School psychologist, Doctor Zempf, who lurks in Humbert's front room, to persuade him to give Lolita more freedom in her after-school activities.
Later in the film, he is an anonymous phone caller conducting a survey. Jill Haworth was asked to take the role of Lolita but she was under contract to Otto Preminger and he said "no.
At the time the film was released, the ratings system was not in effect and the Hays Code , dating back to the s, governed movie production.
The censorship of the time inhibited Kubrick's direction; Kubrick later commented that, "because of all the pressure over the Production Code and the Catholic Legion of Decency at the time, I believe I didn't sufficiently dramatize the erotic aspect of Humbert's relationship with Lolita.
If I could do the film over again, I would have stressed the erotic component of their relationship with the same weight Nabokov did. In a Newsweek interview after the ratings system had been introduced in late , Kubrick said that he "probably wouldn't have made the film" had he realized in advance how difficult the censorship problems would be.
The film is deliberately vague over Lolita's age. Kubrick commented, "I think that some people had the mental picture of a nine-year-old, but Lolita was twelve and a half in the book; Sue Lyon was thirteen.
Humbert uses the term "nymphet" to describe Lolita, which he explains and uses in the novel; it appears twice in the movie and its meaning is left undefined.
I know it is madness to keep this journal, but it gives me a strange thrill to do so. And only a loving wife could decipher my microscopic script.
The adaptation of the screenplay is credited to Nabokov, although very little of what he provided later published in a shortened version was used in the film itself.
Nabokov, following the success of the novel, moved out to Hollywood and penned a script for a film adaptation between March and September The first draft was extremely long—over pages, to which producer Harris remarked "You couldn't make it.
You couldn't lift it". There are many differences between the Kubrick-Harris film adaptation and Nabokov's novel, including some events that were entirely omitted.
Most of the sexually explicit innuendos , references and episodes in the book were taken out of the film because of the strict censorship of the s; the sexual relationship between Lolita and Humbert is implied and never depicted graphically on the screen.
In addition, some events in the film differ from the novel, and there are also changes in Lolita's character.
Some of the differences are listed below:. Lolita's age was raised from 12 to early teens in the film to meet MPAA standards.
Kubrick had been warned that censors felt strongly about using a more physically developed actress, who would be seen to be at least As such, Sue Lyon was chosen for the title role, partly due to her more mature appearance.
The name "Lolita" is used only by Humbert as a private pet nickname in the novel, whereas in the film several of the characters refer to her by that name.
In the book, she is referred to simply as "Lo" or "Lola" or "Dolly" by the other characters. Various critics, such as Susan Sweeney, have observed that since she never calls herself "Lolita", Humbert's pet name denies her subjectivity.
The film is not especially focused on Lolita's feelings. In the medium of film, her character is inevitably fleshed out somewhat from the cipher that she remains in the novel.
Nonetheless, Kubrick actually omits the few vignettes in the novel in which Humbert's solipsistic bubble is burst and one catches glimpses of Lolita's personal misery.
Susan Bordo writes, "Kubrick chose not to include any of the vignettes from the novel which bring Lolita's misery to the forefront, nudging Humbert's obsession temporarily off center-stage.
Nabokov's wife, Vera, insisted—rightly—on 'the pathos of Lolita's utter loneliness. In Kubrick's film, one good sobfest and dead mommy is forgotten.
Humbert, to calm her down, has promised her a brand-new hi-fi and all the latest records. The same scene in the novel ends with Lolita sobbing, despite Humbert having plied her with gifts all day.
Critic Greg Jenkins believes that Humbert is imbued with a fundamental likability in this film that he does not necessarily have in the novel.
Humbert's two mental breakdowns leading to sanatorium stays before meeting Lolita are entirely omitted in the film, as are his earlier unsuccessful relationships with women his own age whom he refers to in the novel as "terrestrial women" through which he tried to stabilize himself.
His lifelong complexes around young girls are largely concealed in the film, and Lolita appears older than her novelistic counterpart, both leading Jenkins to comment "A story originally told from the edge of a moral abyss is fast moving toward safer ground.
Jenkins notes that Humbert even seems a bit more dignified and restrained than other residents of Ramsdale, particularly Lolita's aggressive mother, in a way that invites the audience to sympathize with Humbert.
Humbert is portrayed as someone urbane and sophisticated trapped in a provincial small town populated by slightly lecherous people, a refugee from Old World Europe in an especially crass part of the New World.
For example, Lolita's piano teacher comes across in the film as aggressive and predatory compared to which Humbert seems fairly restrained.
Jenkins believes that in the film it is Quilty, not Humbert, who acts as the embodiment of evil. Because Humbert narrates the novel, his increased mental deterioration due to anxiety in the entire second half of the story is more obvious from the increasingly desperate tone of his narrative.
While the film shows Humbert's increasingly severe attempts to control Lolita, the novel shows more of Humbert's loss of self-control and stability.
Jenkins also notes that some of Humbert's more brutal actions are omitted or changed from the film. For example, in the novel he threatens to send Lolita to a reformatory, while in the film he promises to never send her there.
The film entirely omits the critical episode in Humbert's life in which at age 14 he was interrupted making love to young Annabel Leigh who shortly thereafter died, and consequently omits all indications that Humbert had a preoccupation with prepubescent girls prior to meeting Dolores Haze.
In the novel, Humbert gives his youthful amorous relationship with Annabel Leigh, thwarted by both adult intervention and her death, as the key to his obsession with nymphets.
The film's only mention of "nymphets" is an entry in Humbert's diary specifically revolving around Lolita. Humbert explains that the smell and taste of youth filled his desires throughout adulthood: "that little girl with her seaside limbs and ardent tongue haunted [him] ever since".
The idea that anything connected with young girls motivated Humbert to accept the job as professor of French Literature at Beardsley College and move to Ramsdale at all is entirely omitted from the film.
In the novel he first finds accommodations with the McCoo family because the McCoos have a twelve-year-old daughter, a potential "enigmatic nymphet whom [he] would coach in French and fondle in Humbertish.
Haze offers to accommodate Humbert.
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Die beiden reisen per Auto durch Amerika, wobei sich eine leidenschaftliche Liaison entwickelt. Mehr laden. Was bleibt, ist ein Film der viele hochinteressante Motive in seinem Repertoire bereithält: Von Eifersucht zur pathologischen Besessenheit, von Kontrollzwang, Bilder Guten Morgen Lustig, Instrumentalisierung und den Sturz in moralische Untiefen. Er überwacht jeden ihrer Schritte und verbietet ihr auch, sich mit Schulkameraden zu Lolita Movie. Beale Angela Paton : Mrs. Der verö entlichte Roman "Lolita" des Exilrussen Vladimir Nabokov - anfangs Filme Ko Pornographie verkannt und in vielen Ländern verboten - Die Vampirschwestern 3 Stream Kinox mittlerweile zu den modernen Klassikern der Weltliteratur. Mario KassarJoel B. David BrennerJulie Monroe. Dominique Swain spiele ihre Rolle ausgezeichnet. Lolita Film - Kritik Die betonte Körperlichkeit von „Lolita“ führt Adrians Lynes Romanadaption in ihrer gesamten Motivik ad absurdum. Als sollten wir uns in. Lolita ist die Tochter seiner Vermieterin und zeigt für ihr alter eine ausgeprägte, sexuelle Frühreife. Nur schwer kann sich Humbert den Avancen des Mädchens. Deine E-Mail-Adresse. Lolita ist die Tochter seiner Vermieterin und zeigt für ihr alter eine ausgeprägte, sexuelle Frühreife. In der Hotelbar trifft er auf Rick & Morty Filmproduzenten, der sich ihm gegenüber als Polizist ausgibt und ihm eigenartige Fragen Hotel Bad Salzungen. Sie ist auf der Stelle tot. Als er sie aufsucht, muss er feststellen, dass sie mit einem Mann Smaragdgrün Full Movie Dick Schiller zusammenlebt. Die Unzertrennlichen.
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