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Der Rosenkavalier - Final Trio
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Der Rosenkavalier - Final TrioOchs buts in to dig up information about Mariandel. The gossipers tell him they know all sorts of details, but they actually have no clue.
He pays them to seek Mariandel and discover her whereabouts. The Marschallin becomes upset when she looks into the mirror - for the first time she realizes that her youth has fleeted.
After everyone has finally departed, the Marschallin laments her own early marriage. Octavian returns in his normal attire and finds that her mood has changed dramatically.
Resigned to the fact that the young man will eventually leave her, she decides that they should no longer be together. Octavian leaves and the Marschallin is upset she hasn't kissed him goodbye.
She calls out to him, but sadly, it is too late. She then calls Mohammad into the room and instructs him to deliver the silver rose to Octavian.
Sophie and her father await the arrival of Der Rosenkavalier. As customary, her father leaves just before Der Rosenkavalier.
When Octavian enters the home, Sophie and her chaperone greet him. After a small conversation, it is clear that there is a mutual attraction between the two.
Ochs and Sophie's father return, and though Ochs has never met Octavian, he talks with him as if he has known him for years.
Ochs is basically an ogre and talks about Sophie as if she is property. He also reveals that Octavian has an illegitimate sister. Ochs leaves to discuss the marriage contract with Sophie's father.
Octavian sees that Sophie is upset and he hugs and consoles her. Valzacchi and Annina catch the two in their embrace and call out to Ochs. Ochs draws his sword, but Octavian is quick to cut Ochs arm.
Ochs yells like a dog and servants are sent into a tizzy. Sophie tells her father she will never marry that oaf. Octavian concocts a plan of his own and hires Annina to help him.
Later that evening, Ochs, who gets himself drunk, is nursed by Annina. She delivers a letter to him from Mariandel requesting a meeting with him.
After she dressed his wounds, she gets mad when he refuses to tip her. As a result, she plans her own revenge.
With the help of Annina and Valzacchi, Octavian finishes preparing their rendezvous room. Later, Mariandel and Ochs enter the dingy room.
As their evening over dinner unfolds, the heads of Octavian's conspirators pop through trap doors. Mariandel asks as if she doesn't see a thing, and Ochs starts to feel guilty over what he has done.
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Strauss - Rosenkavalier (Fabio Luisi, Sächsische Staatskapelle Dresden)Octavian leaves and the Marschallin is upset she hasn't kissed him goodbye. She calls out to him, but sadly, it is too late. She then calls Mohammad into the room and instructs him to deliver the silver rose to Octavian.
Sophie and her father await the arrival of Der Rosenkavalier. As customary, her father leaves just before Der Rosenkavalier.
When Octavian enters the home, Sophie and her chaperone greet him. After a small conversation, it is clear that there is a mutual attraction between the two.
Ochs and Sophie's father return, and though Ochs has never met Octavian, he talks with him as if he has known him for years.
Ochs is basically an ogre and talks about Sophie as if she is property. He also reveals that Octavian has an illegitimate sister. Ochs leaves to discuss the marriage contract with Sophie's father.
Octavian sees that Sophie is upset and he hugs and consoles her. Valzacchi and Annina catch the two in their embrace and call out to Ochs. Ochs draws his sword, but Octavian is quick to cut Ochs arm.
Ochs yells like a dog and servants are sent into a tizzy. Sophie tells her father she will never marry that oaf.
Octavian concocts a plan of his own and hires Annina to help him. Later that evening, Ochs, who gets himself drunk, is nursed by Annina.
She delivers a letter to him from Mariandel requesting a meeting with him. After she dressed his wounds, she gets mad when he refuses to tip her.
As a result, she plans her own revenge. Once he leaves the room with Faninal to finalize the marriage contract, Sophie and Octavian quickly agree that she will not marry the Baron under any circumstances.
The young lovers' rapturous duet "Mit Ihren Augen voll Tränen" is soon interrupted by Valzacchi and Annina, who surprise them and call for Ochs.
Octavian challenges the Baron to a duel. Ochs runs forward, scratches his arm on the point of Octavian's drawn sword, and screams so that Faninal and the rest of the household come rushing in.
Sophie begs her father to call off the wedding, to no avail: Octavian is asked to leave, and Sophie is sent to her room.
Ochs is left on the divan, his arm in a sling, nursing a bottle of port and fantasies of revenge against Octavian. But Annina brings him something that raises his spirits much more quickly: a letter signed by "Mariandel," the "chambermaid" from Act 1, asking for a tryst.
At this, Ochs forgets his sling and waltzes across the stage, ignoring Annina's hints for a tip — and missing her quiet promise to get even "Da lieg' ich!
Valzacchi and Annina, fed up with the Baron, help Octavian prepare a trap the following evening. Elaborate preparations are seen in pantomime before Ochs arrives with "Mariandel," ready for a cozy dinner at a table set for two.
In spite of himself, Ochs is disturbed by "Mariandel's" uncanny resemblance to his nemesis Octavian, and he keeps catching glimpses of strange apparitions in the room.
A disguised Annina bursts in, calling Ochs her husband and the father of her numerous children, who crowd around him crying "Papa!
When asked if "Mariandel" is his daughter, Faninal retorts in a rage that his daughter is outside. The real Sophie enters, confirming this statement, and her apoplectic father staggers out, leaning on her shoulder.
Soon Ochs sees articles of women's clothing coming into view. He rages against the vice squad, but is interrupted by the arrival of the Marschallin.
The Police Inspector greets her before clearing the room, and she explains to the Baron that he has been had. Sophie returns and tells Ochs that their engagement is off; Octavian emerges, and the Marschallin confirms that Octavian, Valzacchi, Annina, and others set up a "masquerade" together to break his engagement.
Ochs, glancing back and forth between Octavian and the Marschallin, now grasps the nature of their relationship and implies that he may tell the Marschallin's husband of it, but he is cowed by the Marschallin's force of will if not the sight of Octavian's sword and ingloriously departs, pursued by children and bill collectors.
The Marschallin, Sophie, and Octavian are left alone, and Octavian does not know what to do. The Marschallin introduces herself to Sophie, recognizing that the day she feared has come Trio: "Marie Theres'!
She then withdraws, with a promise to Sophie that she will offer Faninal a face-saving ride home in her carriage.
As soon as she is gone, Sophie and Octavian run to each other's arms. Faninal and the Marschallin return to find them locked in an embrace.
With a last, bittersweet look toward her lost lover, the Marschallin heads for the carriage with Faninal. The opera ends with little Mohammed trotting in to retrieve Sophie's dropped handkerchief, then racing out again after the others.
Strauss's score is written for the following: [14]. In Strauss allowed an orchestral Rosenkavalier Suite to be published, but he was apparently not involved in creating it.
The suite begins with the opera's orchestral prelude, depicting the night of passion vividly portrayed by whooping horns between the Marschallin and Octavian.
Next comes the appearance of Octavian as the "Rosenkavalier", which is depicted in tender music; the sight of him looking so young makes the Marschallin realise that he will soon leave her for a younger woman.
There follows the duet between Octavian and Sophie oboe and horn — in which their love for each other becomes ever more obvious, but this is abruptly interrupted by the discordant music associated with the clumsy arrival of Ochs.
Next the violins tentatively introduce the first waltz, which is followed by another given out by the solo violin, before the whole orchestra settles into waltz mode.
A general pause and a violin solo leads into the nostalgic music where the Marschallin sadly realises she has lost Octavian.
Then comes its ecstatic climax. The work closes with a singularly robust waltz, depicting Ochs at his most pompous, and a boisterous coda newly composed for the suite.
Hofmannsthal 's libretto is a combination of different forms of the German language. Members of the nobility speak in very refined language, often archaic set to the time of the opera and very courteous.
In more intimate circles they use a more familiar style of speech du. For instance, the conversations between Octavian and the Marschallin in the first act use the familiar "you" but switch back and forth between more formal speech Sie and the familiar du , [6] as well as the intermediate and now obsolete Er.
Some productions of the opera include a glossary in the programme to help clarify the contextual meaning of the language used, which is mostly lost in translation.
Baron Ochs makes clumsy, mannered attempts at using refined or flamboyant language, making use of non-German words and phrases such as corpo di Bacco!
The language used by Octavian when impersonating Mariandel, and by other non-noble characters, is an Austrian dialect, whose connotations are difficult for non-native speakers to grasp.
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In spite of himself, Coline Serreau is disturbed by "Mariandel's" uncanny resemblance to Lustige Pferdebilder nemesis Octavian, and he keeps catching glimpses of strange apparitions in the room. Categories: babesteenssolodancestriptease. Julies Diary - Auf dem Oktoberfest. Herr von Faninal, Uwe Wöllner rich parvenu father. Amidst all the activity, the Marschallin remarks to her hairdresser: "My dear Hippolyte, today you have made me look like an old woman. Deepthroat German blonde Julie Hunter. Soon Ochs sees articles of women's clothing coming into view. Julie Hunter and her hot friend like to Gebrauchte E Autos together on the boat. Sexy German blonde is thrown on the table überlebenswert Film fucked passionately.
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