
Hannibal Filme Inhaltsverzeichnis
„Hannibal“ TV-Serie (). Zehn Jahre nach seiner spektakulären Flucht aus dem Gefängnis meldet sich der diabolische Serienkiller Hannibal Lecter bei FBI-Agentin Clarice Starling. Er ahnt nicht, dass der Multimillionär und ehemalige Patient Lecters Mason Verger seine. Verbunden sind diese vier Filme nach Romanvorlagen von Thomas Harris durch das Auftreten des fiktiven Serienmörders Hannibal Lecter. Hannibal ist der. Hannibal Lecter ist eine fiktive Figur in einer Romanreihe von Thomas Harris. Der Psychiater und kannibalistische Serienmörder ist einer der zwei Antagonisten. Welche Hannibal-Lecter-Filme gibt es und in welcher Reihenfolge sollte man die Filme der Hannibal-Filmreihe gucken? Wir bringen euch die. von 92 Ergebnissen oder Vorschlägen für DVD & Blu-ray: "Hannibal Lecter Filme". Überspringen und zu Haupt-Suchergebnisse gehen. Berechtigt zum. Hannibal Lecter ist eine absolute Legende. Ich habe mir die 3 klassischen Filme vor einiger Zeit mal in der chronologischen Reihenfolge angesehen, also Drache.

Mason Verger : What ever is? Dass man für Entjungferung jungen Kannibalen Hannibal Lecter auf einen anderen Schauspieler zurückgreifen musste, leuchtet hier ein. Archived from the original on 30 September Szeit special "steel-book" edition of Hannibal was released in After learning of Starling's public disgrace, Lecter sends her a taunting letter. Using his wealth and political influence, Verger has Starling reassigned to Lecter's case, hoping her involvement will draw Lecter out.
After learning of Starling's public disgrace, Lecter sends her a taunting letter. Starling detects a fragrance from the letter.
A perfume expert later identifies a skin cream with ingredients that are only available to a few shops in the world. She contacts the police departments of the cities where the shops are located, requesting surveillance tapes.
In Florence , one of the cities listed, Chief Inspector Rinaldo Pazzi is investigating the disappearance of a library curator. Pazzi questions Lecter, who is masquerading as Dr.
Fell, the assistant curator and caretaker. Upon recognizing Dr. Fell in the surveillance tape, Pazzi accesses the Violent Criminal Apprehension Program database of wanted fugitives.
Blinded by greed, Pazzi ignores Starling's warnings and attempts to capture Lecter alone. He recruits a pickpocket to obtain Lecter's fingerprint to show Verger as proof.
The pickpocket, mortally wounded by Lecter, manages to get the print and gives it to Pazzi. Lecter baits Pazzi into an isolated room of the Palazzo Vecchio , ties him up, then disembowels and hangs him from the balcony.
Lecter then returns to the United States. Verger bribes Justice Department official Paul Krendler to accuse Starling of withholding a note from Lecter, leading to her suspension.
Lecter lures Starling to Union Station. Verger's men, having trailed Starling, capture and bring Lecter to Verger.
Verger intends to feed Lecter alive to a herd of wild boars bred specifically for this purpose. After her superiors refuse to act, Starling infiltrates Verger's estate.
After neutralizing the two guards and freeing Lecter, she is shot by a third guard who was in hiding. Lecter picks up an unconscious Starling just before the boars break through the doors.
Verger orders his physician Cordell Doemling to shoot Lecter, but, with Lecter's suggestion, Cordell shoves his hated boss into the pen. Lecter carries Starling away and the boars eat Verger alive.
Lecter takes Starling to Krendler's secluded lake house and treats her wounds. When Krendler arrives for the Fourth of July , Lecter subdues and drugs him.
Starling, disoriented by morphine and dressed in a black velvet cocktail dress , awakens to find Krendler seated at the table set for an elegant dinner.
After the meal, Starling tries to attack Lecter, but he overpowers her. She handcuffs his wrist to hers.
Hearing the police and ambulance closing in, Lecter is just about to sever her cuffed hand to escape when he hesitates.
She is soon seen to have both hands intact when she escapes. The paramedics take Krendler to the hospital. His fate is not explained. Lecter is later shown on a flight with his own boxed lunch, his bandaged arm in a sling.
As he prepares to eat his meal, including what is assumed to be a piece of Krendler's brain, a young boy seated next to him asks to try some of his food.
Lecter shares the brain with the boy, saying his mother told him it is important "always to try new things". Demme responded that Thomas Harris , author of The Silence of the Lambs , had been working on the follow-up for "seven or eight years".
Demme had an idea even at that time that it would not be a straight follow-up. It featured the first film appearance of Hannibal Lecter , played by Brian Cox.
De Laurentiis did not like Mann's film, feeling it was too different from Red Dragon. De Laurentiis and his wife Martha also his co-producer had no direct involvement in The Silence of the Lambs , a decision De Laurentiis came to regret.
They did, however, own the rights to the Lecter character and reportedly allowed Orion Pictures , which produced The Silence of the Lambs , to use the character of Lecter free, not wishing to be "greedy".
When The Silence of the Lambs became a commercial and critical success in , winning five Academy Awards , both Dino and Martha De Laurentiis found themselves sitting on a valuable asset and eager for a follow-up novel they could adapt.
Mort Janklow, Harris's agent at the time, told Los Angeles Times that Foster, Hopkins, and Demme would soon receive manuscripts of the novel, claiming it would make an unbelievable film.
In the Biography Channel documentary Inside Story: The Silence of the Lambs , Demme commented, "It was a foregone conclusion that when a new book came out, the team that made Silence of the Lambs would make that movie.
And Tom Harris, as unpredictable as ever, took Clarice and Dr. Lecter's relationship in a direction that just didn't compute for me.
And Clarice is drugged up, and she's eating brains with him, and I just thought, 'I can't do this. De Laurentiis said of Demme's decision to decline: "When the pope dies, we create a new pope.
Good luck to Jonathan Demme. De Laurentiis visited Ridley Scott on the set of Gladiator and suggested to Ridley he read the novel he had bought the rights to.
Scott misunderstood which Hannibal he meant, thinking De Laurentiis was speaking of the general and historical figure from Carthage who nearly brought down the Roman Empire back around B.
I don't wanna do elephants coming over the Alps next, old boy. I had not seen him since I'd worked on a version of Dune.
This was pre- Blade Runner. Dino had pursued me to direct Dune and another film. He's always enthusiastic and aggressive and came after me when I did both Blade Runner and Alien , but I couldn't do the films.
Anyway, we had an espresso together and a few days later, he called me to ask if he could visit the Gladiator set. He arrived with a manuscript of Hannibal , about a month before it was published in book form.
He said: 'Let's make this one. It was so rich in all kind of ways. Although Scott had accepted the job Demme had rejected, he said: "My first question was: 'What about Jonathan?
I'll do it. In particular, he had difficulties with the ending of the novel, in which Lecter and Starling become lovers: "I couldn't take that quantum leap emotionally on behalf of Starling.
Certainly, on behalf of Hannibal—I'm sure that's been in the back of his mind for a number of years. But for Starling, no.
I think one of the attractions about Starling to Hannibal is what a straight arrow she is. Harris said he was not, so Scott changed it.
Ted Tally , the screenwriter for The Silence of the Lambs , was another key member of the original team to decline involvement in Hannibal he won an Academy Award for his Silence adaptation.
Tally, like Demme, had problems with the novel's "excesses". Steven Zaillian writer of Schindler's List was offered the chance to write the adaptation after Tally passed, but he also declined.
He explained that "I was busy. And I wasn't sure I was interested. You can almost never win when you do a sequel. This question regarding the script development was put to Ridley Scott by Total Film magazine: "There were lots of rewrites on Hannibal —what was the main problem with the original material?
If you were to ask who were the best three screenwriters in the business, Steve Zaillian would be one of them. We discussed Hannibal endlessly.
He is very fast, very efficient, but he was off doing a film. But I was scared that he would not be able to give me enough attention, because that draft needed a lot of work.
So I moved on basically. He was distilling through discussion what he was gonna finally do Frankly I could have just made it.
The withdrawal of both Foster and Hopkins could possibly have been terminal for the project, however. De Laurentiis confirmed this after the film's release: "First and foremost, I knew we had no movie without Anthony Hopkins.
Regarding her involvement in a sequel to The Silence of the Lambs , Foster confirmed to Larry King in that she "would definitely be part of it.
I mean, everybody wants to do it. Every time I see him, it's like: 'When is it going to happen?
When is it going to happen? A character who is replaceable? So I get to say, in a nice dignified way, that I wasn't available when that movie was being shot Clarice meant so much to Jonathan and I, she really did, and I know it sounds kind of strange to say but there was no way that either of us could really trample on her.
He informed De Laurentiis that he knew Moore, with whom he had worked on Surviving Picasso , and thought her a "terrific actress".
Scott said his decision was swayed in favor of Moore because: "She is a true chameleon. Of course people are going to compare my interpretation with that of Jodie Foster's Hopkins was generally expected to reprise his Academy Award-winning role.
Hopkins did say in June that he would only be interested if the script was "really good". I thought it was really overreaching and so bizarre.
So I couldn't make up my mind about it all. Some of it I found intriguing, some I was a little doubtful about.
I thought, 'Do I repeat that same performance, or do I vary it? This was left out of the film because Scott and Hopkins agreed to leave the face alone.
With his big hat, he's so obvious that nobody thinks he's Hannibal Lecter. I've always thought he's a very elegant man, a Renaissance man.
He's still the sort of Robin Hood of killers. He kills the—what do they call them? The terminally rude. The part of Mason Verger, one of Lecter's two surviving victims, was originally offered to Christopher Reeve based on his work as a wheelchair-bound police officer in Above Suspicion Not having read the novel, Reeve showed initial interest in the role, but ultimately declined upon realizing that Verger was a quadriplegic, facially-disfigured child rapist.
Co-producer Martha De Laurentiis claimed they had a "funny situation" with Oldman wanting a prominent "credit". She said: "Now how can you have a prominent credit with Hannibal?
The characters are Hannibal and Clarice Starling. So we really couldn't work something out at first. Oldman would become transformed and "unrecognizable as himself" to play the part of Verger.
He would have no lips, cheeks or eyelids. Make-up artist Greg Cannom said: "It's really disgusting I've been showing people pictures [of Oldman as Verger], and they all just say 'Oh my God,' and walk away, which makes me very happy.
Other stars subsequently cast included Ray Liotta as U. Francesca Neri played Pazzi's wife, Allegra. Frankie Faison reprised his role as orderly Barney Matthews, remaining the only actor to play a role in all Hannibal feature films until Hannibal Rising in , including Manhunter.
Scott recruited key production crew whom he had worked with previously. Hannibal was filmed in 83 working days over 16 weeks.
But the locations were beautiful. Who could complain about being allowed to shoot in Palazzo Vecchio in Florence? Make-up artist Greg Cannom was pleased to be involved in Hannibal as it offered him the chance to produce "incredible and original make-ups".
For one of the film's final and infamous scenes, an exact duplicate was created of the character Paul Krendler, played by Ray Liotta , a scene which blended make-up, puppet work and CGI in a way which Scott called "seamless".
The main titles were designed by Nick Livesey, a graduate of the Royal College of Art who worked for one of Scott's production companies in London.
The sequence , shot in Florence by Livesey himself was intended as the film's second promotional trailer. Ridley Scott worked very closely with composer Hans Zimmer , during post-production on Hannibal.
He explains: "Anthony's character is for me somebody at the extreme range of whatever is humanly imaginable somehow. Scott has said he believes the underlying emotion of Hannibal is "affection".
It is dark, because the story is of course essentially dark, but it's kind of romantic at the same time. Funny enough, it's rather romantic and also quite humorous, but also there's some quite bad behaviour as well.
She asks Lecter, "Do you believe a man could become so obsessed by a woman after a single encounter? It was in reference to Starling—to their encounter in The Silence of the Lambs.
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Alternate Versions. Rate This. Living in exile, Dr. Hannibal Lecter tries to reconnect with now disgraced F. Agent Clarice Starling, and finds himself a target for revenge from a powerful victim.
Director: Ridley Scott. Watch on Prime Video included with Prime. Added to Watchlist. From metacritic. November's Top Streaming Picks.
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Edit Cast Cast overview, first billed only: Anthony Hopkins Hannibal Lecter Julianne Moore Clarice Starling Gary Oldman Mason Verger Ray Liotta Paul Krendler Frankie Faison Nurse Barney as Frankie R.
Faison Giancarlo Giannini Rinaldo Pazzi Francesca Neri Allegra Pazzi Zeljko Ivanek Cordell Doemling Hazelle Goodman Evelda Drumgo David Andrews FBI Asst.
Director Noonan James Opher Gnocco Ivano Marescotti Carlo Fabrizio Gifuni Edit Storyline The final chapter of the Dr.
Edit Did You Know? Trivia The part of Mason Verger was originally offered to Christopher Reeve , based on his work as a wheelchair-bound police officer in Above Suspicion Not having read the novel, Reeve showed initial interest in the role, but ultimately declined upon realizing that Verger was a quadriplegic, facially-disfigured child rapist.
Goofs Inspector Pazzi's cellphone is switched off in the library, when Lecter takes it and talks to Clarice.
Although it is on vibrate mode, the LCD display is blank. Quotes Mason Verger : Oh, coulda, woulda, should. I mean what do you think about the money?
Paul Krendler : Five. Mason Verger : Oh, let's just toss it off like 'five'! Let's say it with the respect it deserves.
Paul Krendler : Five-hundred-thousand-dollars. Mason Verger : Well, that's better, but not much. Will it work? Paul Krendler : It'll work. Won't be pretty.
Mason Verger : What ever is? Crazy Credits After fading to black, the alternate ending features a new voiceover-- Hannibal: Clarice, would you ever say to me, "Stop.
If you really love me you'll stop? Hannibal: Not in a thousand years? That's my girl. Alternate Versions Over half an hour of footage was deleted from the film, including totally new scenes and alternate versions of scenes already in the movie.
Here, she doesn't cry, but rather just sits staring at the screen. Another FBI agent comes to visit Clarice with all of Brigham's personal belongings, saying that his parents don't want them, and Clarice asks if she can have them.
A new scene where Starling visits the abandoned asylum where Hannibal Lecter was held. At the door she meets the janitor, a shy young boy who flirts with Starling but refuses to go into the basement because of asthma.
Starling goes down into the basement, where she searches old patient files, and finds a vagrant old man huddled in Lecter's old cell screaming for Jesus.
A new scene where Starling gets a follow up on the X-rays she got from Barney and Mason. An alternate version of the scene where Lecter writes a letter to Starling.
We see Lecter going to pick up the scent for the envelope, where Pazzi spies on him and, in turn, Lecter spies on Pazzi.
The letter itself is worded differently, but still contains the lines about Starling's parents. Hannibal assures Starling in his letter that he observed a moment-and no more-of silence.
We also see Lecter sealing the letter with ink, and dropping the letter off at a mailbox, with Pazzi watching him. The entire scene is accompanied by music composed and played by Anthony Hopkins.
An ignored subplot about Pazzi and a brother-sister gypsy pickpocket team. The sister was a girl named Romula, who Pazzi saw steal a man's wallet.
This was the only sequence filmed, which was scrapped in favor of just leaving in the brother as the thug Pazzi sends after Lecter. An entire subplot about Pazzi working on Il Mostro, a real unsolved Italian serial killer case in which an unknown man stalked and killed young couples kissing in their cars.
It features an alternate version of the scene where Lecter first meets Pazzi--now there is a leering janitor waxing the floor in the next room.
Pazzi talks at great lengths with Lecter about Il Mostro, and Lecter gives him information regarding the case, most notably that the killer is posing his victim's corpses like classic paintings.
Pazzi follows this lead, which gets him put back on Il Mostro after being removed to investigate Dr. Later, when he goes to retrieve luggage from Lecter, we have an alternate version of Pazzi in Lecter's living room, with more talk about Il Mostro.
All of these sequences feature the janitor from the museum. Finally, we are given an alternate version of Lecter attacking Pazzi.
The dialogue is slightly different, and there are several shots of the janitor watching. Here, Pazzi's intestines and bowels don't fall onto the spotlights, and the tourists videotaping the tower laugh instead of scream.
Lecter turns around and waves at the tourists, and then walks away. Meanwhile, we see several shots of security looking at Pazzi's body on security cameras as Lecter passes by the Janitor, who had been watching the whole thing from behind it a curtain: He is Il Mostro.
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Von Kevin Greutert. Von Jonathan Demme.
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