Hellsing Alucard

Hellsing Fanart Poster Inks Artwork paper size 12" x 18" Diamond White Laser Board inked with graphic pen, black inks with brush and some minor white inks for. Alucard NOSFERATU ist ein Charakter aus dem Anime»Hellsing«und aus dem Manga»Hellsing«. Beschreibung: Um einen Vampir zu bekämpfen, schickt. My favorite monster is the vampire and there are a lot of awesome vampires, Lestat, Eric, etc but by far my favorite vampire is Hellsing's Alucard. Hellsing Bleib​.

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Alucard (Ananym von Dracula) ist das Ergebnis von über Jahren Forschung der Hellsing. Alucard ist eine fiktive Figur und der Protagonist der von Kouta Hirano geschaffenen Manga- und Anime-Serie Hellsing. Er ist ein Vampir und widmet sich ganz dem derzeitigen Oberhaupt der Familie Hellsing und guten Freunden mit Walter. Er empfindet. Seinen ersten wirklichen Auftritt hat er in London, als er vor der Queen, Integra Hellsing, Maxwell und Alucard auftaucht, um diesen eine Nachricht des Majors. Alucard (Ananym für Dracula) ist ein echter Vampir mit großer Kraft, der für die Hellsing-Organisation arbeitet. Er wurde vor 20 Jahren von Lady Integras Vater in. Alucard ist ein Ananym des Namens Dracula. Erstmals verwendet wurde diese Anime/Manga Hellsing und in der japanischen Videospielreihe Castlevania. Alucard NOSFERATU ist ein Charakter aus dem Anime»Hellsing«und aus dem Manga»Hellsing«. Beschreibung: Um einen Vampir zu bekämpfen, schickt. My favorite monster is the vampire and there are a lot of awesome vampires, Lestat, Eric, etc but by far my favorite vampire is Hellsing's Alucard. Hellsing Bleib​.

Alucard (Ananym für Dracula) ist ein echter Vampir mit großer Kraft, der für die Hellsing-Organisation arbeitet. Er wurde vor 20 Jahren von Lady Integras Vater in. Alucard ist ein Ananym des Namens Dracula. Erstmals verwendet wurde diese Anime/Manga Hellsing und in der japanischen Videospielreihe Castlevania. Alucard NOSFERATU ist ein Charakter aus dem Anime»Hellsing«und aus dem Manga»Hellsing«. Beschreibung: Um einen Vampir zu bekämpfen, schickt.

Hellsing Alucard Inhaltsverzeichnis

Alucard glaubte, ihn schon besiegt zu Adieu Paris mit einem einzigen Schuss in die Stirn, worauf Anderson aufsteht und ihn mit seinen Bajonetten durchsticht und ihm den Kopf abschlägt. Es reicht schon, wenn diese einfach nur zu nah an ihm dran sind, während er einen anderen Feind bekämpft, er hält sich bei seinen Vox Die Beet Brüder nämlich nie zurück und daher treffen die Kugeln seiner Pistolen auch öfter mal Hellsing Tv Passanten. Durch eine Tarantel, die sich seltsamerweise in seinem Schuh befand, gerät er das erste Mal in Gefahr. Matsuo Hayato. Die teilige Anime-Serie wurde von Studio Toei Animation produziert. Dort angekommen, erfahren sie, das aus dem naheliegenden Gefängnis ein Verbrecher geflüchtet ist. During the whole ordeal, he defiantly clenched a silver cross. Virus Movie manga is set over a hundred years later, where the Hellsing Organization is forced to fight the remnants of a Nazi battalion. One of his favorite methods is allowing himself to literally be shot to pieces before simply flowing back together. Ebenfalls gibt es noch einen Hinweis darauf in der letzten Folge der Anime-Serie, im Kampf gegen Incognito fragt letzterer Alucard wer er denn sei und im Blitzschlag wird die Hälfte seines Gesichtes als die von Vlad Tepes Draculea gezeigt, der als Grundlage für Dracula den Vampir gilt. While he is Sonya Kraus Insta with her refusal to drink blood at Avengers 4 Trailer, he was always confident that eventually she would drink and seemed quite Hellsing Alucard of her when the time came. Start a Wiki.

Hellsing Alucard Inhaltsverzeichnis Video

Hellsing Ultimate OVA 8 - Alucard's Level 0 Release

Hellsing Alucard -

Alucard ist bekannt als der stärkste Vampir in der Hellsing Organisation. Heute lebt und schreibt er in Bonn, als Übersetzer und Herausgeber u. Hellsing Fanart Poster Inks Artwork paper size 12" x 18" Diamond White Laser Board inked with graphic pen, black inks with brush and some minor white inks for. Auch seine Transformation hat einen Hintergrund. Im Grunde genommen ist aber gar nicht er der Hauptverantwortliche, er agiert nämlich stets auf Befehl von Lady Integra, Französischer Modeschöpfer Befehle er einfach nur befolgt. Vor exakt Jahren verlor er trotz exzessiver Good Girls Revolt gegen Abraham van Hellsing, Arthur Hawaii Five O Staffel 5 Stream, Quincey Morris, Jack Seward - Dieser Kampf, den er verliert, beschreibt Equals 2019 Ereignisse von Bram Stokers Draculawo Dracula gegen die Menschen verlor, aber in Hellsing stirbt Alucard nicht, sondern wird gefangen genommen und infolge dessen wird die Hellsing Organisation gegründet. Silber ist seit jeher bekannt für seine effektive Wirkung gegen Nichtmenschen und Fack Ju Göhte 2 Ganzer Film gegen diese Wesen wie Gift. Dies erlaubt ihm das Erscheinen an weit entfernten Orten Meghan Markle auch in Gedankenwelten. Diese speziellen Kugeln sind allerdings nur bei seiner Casull geladen, für seine Jackal hat er wieder andere. Wikis entdecken Community-Wiki Wiki erstellen. Hellsing: The Dawn. Er bewundert auch die Menschen sehr, die um ihr Leben kämpfen und als Mensch sterben wollen, warum er Adieu Paris Zoolander auch so freut, Anderson als Gegner zu haben, weil jener ein Mensch ist und er meint dass Menschen Monster töten müssten, weil das ihre Aufgabe sei. Masashi Hirose.

Dracula didn't use this ability against Prof. Van Helsing and his crew according to the flashbacks in the manga and of course according to Bram Stoker's novel, which is a base of Hellsing.

In addition, Van Helsing admitted that they had destroyed all of the vampire's servants which means these servants can't reappear in Maybe by some process the Hellsing Organization made advantage of the terrifying amount of the souls restored in Alucard, and made it possible to release them on the battlefield in Control Art Restriction System Level Zero.

Also, the Major seem to know much about Alucard's release states. However, it is yet to be revealed in the ongoing Dawn series whether this assumption is true or not.

In connection with this, it seems like that Alucard can't or maybe just doesn't want to turn his same-sex maled victims to "walking" ghouls like other vampires.

All the same-sex maled victims are restored as devoured souls, but they can be summoned on the battlefield. The other possibility is that the ghoul-making ability of the Millenium's vampires is a weakened form of this restoration; they can't storage the souls like their exemplar, Alucard, but they can use the zombified victims in combat.

This theory can be true for other vampires as well, if Alucard was the first vampire walking on the Earth.

Alucard is an exceedingly lethal and dangerous combatant even when unarmed, due to his extensive supernatural abilities and strength, but he also uses various weapons in battle.

These have included swords, machine guns, and traditional vampire-slaying tools such as stakes and crosses. Additionally, Alucard has two signature weapons, a pair of oversized and overpowered handguns named the.

There are shown to be six levels of restriction and six corresponding states, with lower numbers meaning greater levels of power.

Under certain circumstances, Alucard can release some of his greater powers himself; a component of his restriction system called the "Cromwell Approval" seems to influence this.

In the Gonzo anime's final episode, Integra is shown giving him permission to release to level one, the state where he is in a red version of the black straightjacket-like garb he is shown in when Integra finds him in her youth.

In the manga, Alucard is shown to be wearing a black leather jumper when he is at the Level One release state. Alucard can often be heard stating what level he is releasing immediately prior to combat "Releasing control art restriction to level two".

Perhaps this is a requirement of the release mechanism, but this has never been confirmed, and is likely a literary device. Another possible reason is that it is to unnerve his opponents as he goes into battle.

Given what has been seen of his personality, this is quite likely. In the manga, Integra requests that Alucard's restriction system be released to Level Zero, the lowest level, allowing him full access to his most devastating and destructive powers.

It is clear in the Gonzo series that Integra herself is in control of Alucard's release states, but in the manga she appears to have no physical control over his powers.

Instead, a given release state appears to simply be an order like any other she might give:. Commencing the Cromwell invocation.

Ability restrictions lifted for limited use until the enemy has been rendered silent. It is noticeable that Alucard's attire sometimes changes according to how much power he is using: as he charges up to engage in battle, first his sunglasses, then his fedora will disappear; in the manga, he also removes his arms from the sleeves of his coat letting it simply just hang on his shoulders like a cloak whilst he fires from underneath it.

It has been posited that these articles of clothing are direct physical manifestations of whatever system Hellsing uses to control Alucard, with his leather straight jacket representing his true nature.

However, in Hellsing OVA II , in the flashback scene where Alucard recalls being beaten by Abraham Van Hellsing, Alucard is still seen wearing these gloves, despite the fact that he was not yet under their control.

This is a continuity error, because when compared to the panel from the manga, it shows normal white gloves. In this form he appeared as his former, year-old self as opposed to looking his early 20s with a thick beard and mustache.

He also wore heavy medieval armor with a huge tattered cloak and carried a long sword. However, he quickly returned to his normal form when confronted by Anderson.

The gigantic amount of armies that accompanied him in this state, along with the souls of every single person he has ever drank the blood of, accompanies this form as well.

It is debated whether his younger form shown in The Dawn is a "state of release". Some fans claim that the Hellsing family suppressed Alucard's powers, sealing them away into a much smaller body, in order to conduct scientific experiments on him, eventually making him into the vampire that he is in the manga.

Others say that he chose this form on his own accord, simply because he can take any form that he likes.

In a flashback scene in Volume 4 of the Hellsing manga, we can see the young Walter alongside an adult Alucard after the destruction of the Nazi vampire research program.

In Volume 9, in his "Girlycard" form, Alucard also admits "There's never any meaning in the form that I take". This could indicate that Alucard's appearance is controlled primarily by himself.

The particular form I take Dornez Letzte Bataillon. This wiki. This wiki All wikis. Sign In Don't have an account? Abraham Van Hellsing explains it the best in chapter "For what they all seem to seek is to wage war, and endless desperate, blood-stained, struggles.

Things quite close to crying loudly. I don't think they desire those things at all. On the contrary: all of this is their way of shouting and begging for death.

For an immortal vampire to be slain by a mortal human, and of how all monsters are destined to be slain by men. This would explain why Alucard often expresses such joy when facing off against Anderson, who was, up until Volume 8, a human.

He often respects certain humans for their bravery, for choosing to remain mortal and accept death rather than choose his perceived coward's way out and become a vampire.

Alucard has expressed extreme disgust with the vampires he's been hunting for the last years, especially when they kill without purpose.

In chapter 3 of the manga Murder Club , he lists the two vampires' pointless killing in his catalog of how pathetic they are. In the original Gonzo anime version Club M , Alucard makes his discontent apparent, demanding to know the motivation behind their rampage.

Despite this, he isn't entirely against immortality. Rather, he believes it is a gift that must be earned and that is limited only to certain personalities or perhaps characters of sufficient will, which he may believe he lacks.

As such he views suicide as the lowest of human will and a fool's way of escaping, being extremely offended when a GATE officer commits suicide to avoid being brutally killed by Alucard.

He happily gave Seras immortality despite his self-reflection due to her indomitable will, courage, and unwavering resolve, even when facing off against the ghouls and the vampire priest - though, since Seras was being held hostage at the time, he likely offered turning her into a vampire as a means of both finishing his assignment and saving her life.

He also viewed Walter in the same regard for a time, even indirectly offering him immortality. It can be said that he believes that Walter "took" immortality rather than "earned" it.

Another important aspect of Alucard's personality is his relationship with God. As a human, he was a crusader, a knight who fought against the Muslim Turks to spread Christianity.

As a warrior, he believed that words alone were not enough; that one must accomplish deeds in order to attract God's attention, a belief shared by his rival, Alexander Anderson.

In accordance with this belief, he never asked God for favors, but instead did many great and terrible things. He became famous for punishing evildoers in his own lands and abroad, for waging a war against the Muslims in hopes of bringing down "the New Jerusalem," and for sacrificing his troops and his people to achieve his own goals.

When he lost his war and was captured by the Turks, he realized that he had failed. Feeling abandoned by God, he abandoned God in turn.

In a moment of perfect despair, he drank up the blood of his scorched and besieged homeland and became a vampire. It's possible that Dracula's plan in England, which began with invasion and probably would've ended in conquest, was a way of avenging himself against God, whom he blamed for his own mistakes this is similar to how Count Dracula was portrayed in Francis Ford Coppola's film, Bram Stoker's Dracula, which Hirano has cited as one of his greatest sources of inspiration.

Alucard as Vlad, in level 0, releasing his devoured souls to fight by his side during the battle of London.

He is arguably the first vampire that ever existed. It is revealed in Alucard's flashback in Chapter 70 of Hellsing, Castlevania 2 that he was enslaved by Ottoman conquerors when he was a child and sodomized by a high ruler.

During the whole ordeal, he defiantly clenched a silver cross. When he became the Voivode of Wallachia, he launched an all-out war on the Turks which devastated both sides.

Eventually, his troops were defeated, his people were killed although mostly executed by his own hands , and his homeland was set ablaze.

Vlad himself was to be executed. However, before he was beheaded, he drank of the blood from the battlefield and became a true vampire.

When he accepted the powers of darkness, the silver cross he had always carried with him shattered. Centuries later, in , the events of Bram Stoker's Dracula unfold in the back-story of Hellsing.

Abraham Van Hellsing, Arthur Holmwood, Quincey Morris, and Jack Seward Jonathan Harker, the last member of their group, is left out of the Hellsing version of the story were able to defeat Count Dracula and killed those who served him.

He now goes by a new name, Alucard, as given to him by Arthur Hellsing, Integra's father. Alucard, along with a year-old Walter C. Dornez , is sent on a mission to Warsaw, Poland, to stop Organization Millennium' s vampire production program.

Decades later, in , Alucard was imprisoned in a dungeon in Hellsing manor by Arthur. According to Sir Hugh Irons, Arthur Hellsing came to believe that Alucard was "too powerful a drug to be used as more than the occasional medicine".

Shortly after Aruthur Helsing's death in , Alucard was awakened and resuscitated by his daughter Integra's blood after she came to his cell and her shoulder was clipped by a bullet.

Alucard then blocked and shredded a bullet Richard shot at Integra, allowing Integra the opportunity to kill her uncle.

She killed Richard and became the head of the Hellsing Organization, and Alucard became her most loyal servant.

Soon he hears of Millennium's return and prepares to go to war against them. He meets Enrico Maxwell in a Museum where Integra has a meeting with him and then was about to fight Anderson if it had not been for Seras.

Volume 4 He is sent to the Queen's mansion to explain about Millennium and then Schrodinger shows up and uses the TV to let the Major message them.

Alucard uses gun to shot Schrodinger bt the orders of Integra and then Schro's body disappears. He then later appears alongside Integra and Walter how to aboard the eagle held by Rip van Winkle and easily kills her,he then laughs manically in Volume 5.

Volume 6 Alucard uses the Eagle to transport him back to London. Volume 7 he finally returns to England to fight against Millennium and the Vatican forces.

Alucard in his Vlad Dracula look greets Integra and Seras however Anderson attacks Alucard in a sword duel Alucard returns to his previous form using his Gun the Jackal against Anderson slowly wounding his Arm.

Anderson and Alucard encountered in a stare-down and Anderson uses Helena's Nail Alucard knows what it is and what it does,he begs Anderson not to become a monster like him but Anderson still used it on his heart causing him to become a creature of Thorns and vines called a monster of God by Alucard.

Later they continued fighting and then Anderson used his new powers to stab Alucard and burn all his familiars. In Volume 9 Alucard was about to be defeated, but Seras intervened and awakened him Alucard rams into Anderson's heart and removes it, along with destroying the nail.

Anderson gave a words of pity to Alucard before he dies. Then Walter as a Vampire jumps from the air and crushes Anderson's remains follow by killing Yumie.

At times, Seras seems nervous and uneasy around Alucard, mainly due to his constant berating about her being a pathetic vampire during the early days of Seras' vampire life.

She also strongly objects to Alucard's unnecessary cruelty towards human beings. While she does not partake in the slaughter of the SWAT team, she aides Alucard in his combat with Tubalcain Alhambra and later attempts to fight Alexander Anderson though her attack is comically cut short.

As the series progresses, her shy and nervous behavior towards Alucard loosens up a bit once she becomes a full-fledged vampire, and he addresses her by name.

During Alucard's fight with Anderson, Seras comes to his rescue in a desperate attempt to save him. After stopping the strike by Anderson, Seras' alarmed calls bring Alucard back from torpor.

The last visage in his dream was Seras' face, ending the flashback and chapter with the words: "There is a voice. There is a voice calling out.

Your voice sounds fine regardless; like fragments of shattered melody Go and conquer, Seras. In the end, Seras is the only one who has undying faith of his return.

It should be mentioned that Alucard's and Seras' behaviours switch somehow between the first series and the OVA. In the TV series, Alucard seems to be more gentle and understanding compared to his OVA counterpart who is more harsh and Seras seems to be more serious compared to her OVA counterpart.

Alucard is extremely devoted to Integra Hellsing, his current master and the Hellsing Organization's leader. In all versions of Hellsing, Alucard and Integra share a complex but strict "master and servant" relationship.

Integra has been connected to him since her father's death. Arthur Hellsing named her the new head of the Hellsing Organization, a decision that drove her jealous uncle to try and kill her.

Using the air ducts, Integra snuck into the dungeons of the Hellsing estate's sub-levels recalling that her father said she would find her "salvation" there, should she find herself in the face of death at the hands of her enemies and found Alucard's corpse Hellsing's "greatest legacy" according to Arthur in one of the rooms.

Shortly upon discovering him, Richard finds her and shoots her. The bullet grazed her arm and the blood from her injury fell onto the corpse, awakening Alucard.

He kills all the men in the room and severs Richard's arm before pledging his allegiance to his new master. After protecting her from Richard's final attempt to kill her, Alucard allows Integra to kill her uncle herself.

In the television series, Alucard offered Integra to be a vampire shortly after his awakening, but only when she bravely defied him did he consider her worthy of his respect and servitude and fit to be the head of the Hellsing family.

Alucard claimed that Integra "Hasn't changed, she is still so childish Over the years, Alucard and Walter help her grow and mature into the leader and master she becomes.

As such, Integra is the only person whom Alucard will obey. Integra is also one of few people whose life and honor Alucard will bother to openly protect.

In Episode 9 Red Rose Vertigo of the television series, Alucard is moved to shock and rage when Incognito implies that Integra has been killed.

Rather than stay and fight, Alucard makes a hasty return to the Hellsing manor to kill Laura before she could turn Integra into a ghoul.

Alucard and Walter are old and close friends, almost like brothers. However, when Walter betrayed Hellsing, Alucard began to see him as a mere plaything, even going so far as to call Walter's younger vampiric body ugly and state that his elderly human body was "a thousand times more beautiful".

Upon his return from Rio de Janeiro, they speak to each other as old friends. Alucard sees her as the "same spirited young woman he met fifty years ago," and that to his eyes, "time had made her even more beautiful.

Anderson and Alucard have an intense and fiercely competitive rivalry that borders on kinship; their remarkable similarities and nature as polar opposites fuel both their intellectual and physical combat.

The relationship between the two grows as the series goes on. The two almost seem to live so that they can fight each other. When Anderson turns into a monster towards the end of the season and is defeated by Alucard, Alucard cries.

The sense of respect between the two is most apparent when Anderson tells Alucard not to cry and points out that he Alucard became a monster so that he no longer had to cry.

Unlike many other enemies, Anderson is the only opponent that Alucard has ever shown respect for in battle, and even states he would have let Anderson kill him when he had the chance as a human.

Not much is known about Alucard's interactions with The Major before the series, but the two hold a great deal of hatred for each other. The Major also holds this grudge most likely stemming from Alucard's and Walter's attack on Millennium's headquarters during WWII and has vowed to exact revenge ever since.

Alucard, in some strange sense, seems to almost feel a sense of joy upon the return of the Major and the Millennium Organization, which is evidenced by him stating: "Excellent.

I can't wait to destroy you again! Alucard seems to think of himself and The Major as "incorrigible warmongers" and the lust for battle never being enough for them.

It could be possible that The Major reminds Alucard of his former life as Vlad the Impaler, and because of this, Alucard seeks to destroy him once and for all.

During the first fight between him and Luke, he was at first very impressed by Luke's abilities and comments his reflexes are amazing.

Due to the fact that Alucard rarely praises his opponents, this could be considered a form of respect, similar to how he praised Alexander Anderson.

While the battle goes on, Alucard asks for Luke's name again; he states the battle was the most fun he had in ages, and remarks that his skills are above that of even the most powerful vampires.

Once he transforms, however, and impatiently waits for Luke to regenerate his legs, he realizes that Luke is nothing but a spineless coward who ran away in terror when faced with an opponent more powerful than him.

After Luke is eaten by the Baskerville, Alucard says he was nothing but dog shit. When Luke was used by Walter against Alucard, he once again praises Luke for his skills and states that his talents were wasted being inside Baskerville, implying that Alucard regretted not making Luke into a familiar instead of letting him rot inside of Baskerville.

Alucard also states that dog shit would do in a pinch, after successfully fooling Walter into attacking his double which was Luke's body.

The following are Alucard's powers gained from both his being a Vampire and due to several years of research by the Hellsing Organization.

Alucard is an extremely formidable and deadly opponent who can cut down most supernatural enemies without releasing the seals that contain his true power.

However, the ghoul army formed by the devoured souls in Alucard may be one of these alterations. Dracula didn't use this ability against Prof. Van Helsing and his crew according to the flashbacks in the manga and of course according to Bram Stoker's novel, which is a base of Hellsing.

In addition, Van Helsing admitted that they had destroyed all of the vampire's servants which means these servants can't re-appear in It is possible that through occult, the Hellsing family managed to unlock Alucard's ability and allowed him full access to all the souls he had consumed, and made it possible to release them on the battlefield in Control Art Restriction System Level Zero.

Also, the Major seemed to know much about Alucard's release states. It's possible that Alucard may not have had these abilities while Dracula, but naturally got them later on, without Hellsing's interference, as Alucard expected Luke to summon his familiars during their battle.

This contradicts the conjecture that this is exclusive to Alucard, however, it is yet to be revealed in the ongoing Dawn-series whether these assumptions are true or not.

Alucard is an exceedingly lethal combatant even when unarmed, due to his extensive supernatural abilities and strength, but he also uses various weapons in battle.

These have included swords, machine guns, and traditional vampire-slaying tools such as stakes and crosses.

Additionally, Alucard has two signature weapons: a pair of intimidating, high powered semi-automatic handguns named the. The ammunition for Alucard's Casull and Jackal appear to be high impact, hollow point rounds, giving them even more stopping power.

Being too powerful to be left on his own, his power is restricted by the "Control Art Restriction System" and has to be accessed by the "Cromwell Invocation".

There are shown to be six levels of restriction and six corresponding states, with lower numbers meaning greater levels of power.

He can often be heard stating what level he is releasing immediately prior to combat "Releasing control art restriction to level two". This is, perhaps, a requirement of the release mechanism, but this has never been confirmed and is likely a literary device.

Another possible reason is that it is to unnerve his opponents as he goes into battle. Given what has been seen of his personality, this is quite likely.

Alucard can release his power up to Level One by himself, but he needs his master's approval to release his final state - Level Zero, the lowest level, allowing him full access to his most devastating powers.

It is noticeable that Alucard's attire sometimes changes according to how much power he is using: as he charges up to engage in battle, first his sunglasses, then his fedora will disappear; in the manga he also removes his arms from the sleeves of his coat letting it simply just hang on his shoulders like a cloak whilst he fires from underneath it.

It has been posited that these articles of clothing are direct physical manifestations of whatever system Hellsing uses to control Alucard, with his leather straight jacket representing his true nature.

However, in Hellsing OVA II, in the flashback scene where Alucard recalls being beaten by Abraham Van Hellsing, Alucard is still seen wearing these gloves, despite the fact that he was not yet under their control.

This is a continuity error, because when compared to the panel from the manga, it shows normal white gloves. In this form he appeared as his former, year-old self with a thick beard and mustache.

He also wore heavy medieval armor with a huge tattered cloak and carried a long sword. However, he quickly returned to his normal form when confronted by Anderson.

The enormous army surrounding him in this state, along with the souls of every single person he has ever drank the blood of, accompanies this form as well.

Some fans claim that his "girly form" is the Hellsing family doing. However, in Hellsing: The Dawn, chapter 4, Walter questioned Alucard's girly form and asked if he is still half asleep, in which Alucard answered "I can change my shape into anything.

The particular form I take Also in volume 9, Alucard also admits in his 'Girlycard' form that "There's never any meaning in the form that I take".

Alucard's different shapes from top to bottom: as a young girl "Girlycard" , in his usual vampiric form "Count" , and in his human form as Vlad III Dracula the Impaler.

The only real difference between each form is the preferred method of fighting; in "Girlycard" form he uses a tommygun, in "Count" form he uses his dual pistols, in "Nosferatu, the no-life king" form he uses his hands and shadows to fight, and in "Dracula" form he primarily uses his Claymore sword.

To sum it up, the release states are not just the markers of Alucard's growing powers, they also have an effect on his appearance and fighting methods as well.

Up to level 1, Alucard usually takes his "Count-form", even with his new personality, he still takes the form he once had as Count Dracula.

It can be assumed that the vampire sees this form as the one which is fitting his monstrous being the most. In this state, he usually fights with his guns, using his bare hands only against human targets or to finish off his vampire victims, often by impaling them.

This form is sometimes called "Nosferatu" or "the no-life king" as noted during his final battle with Anderson.

This form seems to possess the most raw physical power when it comes to fighting hand to hand, as shown when he used it against Luke Valentine implying that he was a very powerful opponent , Tubalcain Alhambra whose powers amused Alucard , Alexander Anderson when the priest was reinforced with Helena's Nail and the vampirized Walter.

In this form, the vampire seems to prefer fighting with hand-to-hand combat, however, he can also use firearms.

It is only in Alucard's level one and level zero states that he uses Baskerville. In Ultimate's eighth episode, Sir Integra issues the command "Release control art restriction zero.

Alucard remains at release-state zero for his final fights with Alexander Anderson and vampirized Walter Dornez. In release-state zero, Alucard appears, at different times, in all forms seen throughout the anime to that point.

In the final minutes of his fight against vampire Walter Dornez, Alucard adopts his "Girlycard" form to mock Walter's age-regression.

Such early hints include his anagrammatic name Alucard is Dracula, reversed , the title of the series and the name of Integra's family, and the impalement of the GATE officers in volume 3.

From there, the hints become much less vague, and his identity as the fictional Count Dracula is brought to light. In volume 4, a dreaming Alucard recalls his defeat at the hands of Abraham van Hellsing, which marked the beginning of his servitude to the Hellsing family.

In volume 7, the narration alludes to the Count's arrival in London aboard the Demeter, from Bram Stoker's novel Dracula.

In volume 8, his full identity is made plain when Integra places his control level at zero and greets him with, "Welcome back, Count.

These include his own Wallachian army, his slaughtered peasantry, the Turkish Janissary, war horses, and countless others.

Abraham Van Hellsing explains it the best in chapter "For what they all seem to seek is to wage war, and endless desperate, blood-stained, struggles.

Things quite close to crying loudly. I don't think they desire those things at all. On the contrary: all of this is their way of shouting and begging for death.

For an immortal vampire to be slain by a mortal human, and of how all monsters are destined to be slain by men. This would explain why Alucard often expresses such joy when facing off against Anderson, who was, up until Volume 8, a human.

He often respects certain humans for their bravery, for choosing to remain mortal and accept death rather than choose his perceived coward's way out and become a vampire.

Alucard has expressed extreme disgust with the vampires he's been hunting for the last years, especially when they kill without purpose. In chapter 3 of the manga Murder Club , he lists the two vampires' pointless killing in his catalog of how pathetic they are.

In the original Gonzo anime version Club M , Alucard makes his discontent apparent, demanding to know the motivation behind their rampage.

Despite this, he isn't entirely against immortality. Rather, he believes it is a gift that must be earned and that is limited only to certain personalities or perhaps characters of sufficient will, which he may believe he lacks.

As such he views suicide as the lowest of human will and a fool's way of escaping, being extremely offended when a GATE officer commits suicide to avoid being brutally killed by Alucard.

He happily gave Seras immortality despite his self-reflection due to her indomitable will, courage, and unwavering resolve, even when facing off against the ghouls and the vampire priest - though, since Seras was being held hostage at the time, he likely offered turning her into a vampire as a means of both finishing his assignment and saving her life.

He also viewed Walter in the same regard for a time, even indirectly offering him immortality. It can be said that he believes that Walter "took" immortality rather than "earned" it.

Another important aspect of Alucard's personality is his relationship with God. As a human, he was a crusader, a knight who fought against the Muslim Turks to spread Christianity.

As a warrior, he believed that words alone were not enough; that one must accomplish deeds in order to attract God's attention, a belief shared by his rival, Alexander Anderson.

In accordance with this belief, he never asked God for favors, but instead did many great and terrible things.

He became famous for punishing evildoers in his own lands and abroad, for waging a war against the Muslims in hopes of bringing down "the New Jerusalem," and for sacrificing his troops and his people to achieve his own goals.

When he lost his war and was captured by the Turks, he realized that he had failed. Feeling abandoned by God, he abandoned God in turn.

In a moment of perfect despair, he drank up the blood of his scorched and besieged homeland and became a vampire.

It's possible that Dracula's plan in England, which began with invasion and probably would've ended in conquest, was a way of avenging himself against God, whom he blamed for his own mistakes this is similar to how Count Dracula was portrayed in Francis Ford Coppola's film, Bram Stoker's Dracula, which Hirano has cited as one of his greatest sources of inspiration.

Alucard as Vlad, in level 0, releasing his devoured souls to fight by his side during the battle of London. He is arguably the first vampire that ever existed.

It is revealed in Alucard's flashback in Chapter 70 of Hellsing, Castlevania 2 that he was enslaved by Ottoman conquerors when he was a child and sodomized by a high ruler.

During the whole ordeal, he defiantly clenched a silver cross. When he became the Voivode of Wallachia, he launched an all-out war on the Turks which devastated both sides.

Eventually, his troops were defeated, his people were killed although mostly executed by his own hands , and his homeland was set ablaze. Vlad himself was to be executed.

However, before he was beheaded, he drank of the blood from the battlefield and became a true vampire. When he accepted the powers of darkness, the silver cross he had always carried with him shattered.

Centuries later, in , the events of Bram Stoker's Dracula unfold in the back-story of Hellsing. Abraham Van Hellsing, Arthur Holmwood, Quincey Morris, and Jack Seward Jonathan Harker, the last member of their group, is left out of the Hellsing version of the story were able to defeat Count Dracula and killed those who served him.

He now goes by a new name, Alucard, as given to him by Arthur Hellsing, Integra's father. Alucard, along with a year-old Walter C.

Dornez , is sent on a mission to Warsaw, Poland, to stop Organization Millennium' s vampire production program. Decades later, in , Alucard was imprisoned in a dungeon in Hellsing manor by Arthur.

According to Sir Hugh Irons, Arthur Hellsing came to believe that Alucard was "too powerful a drug to be used as more than the occasional medicine".

Shortly after Aruthur Helsing's death in , Alucard was awakened and resuscitated by his daughter Integra's blood after she came to his cell and her shoulder was clipped by a bullet.

Alucard then blocked and shredded a bullet Richard shot at Integra, allowing Integra the opportunity to kill her uncle. She killed Richard and became the head of the Hellsing Organization, and Alucard became her most loyal servant.

Soon he hears of Millennium's return and prepares to go to war against them. He meets Enrico Maxwell in a Museum where Integra has a meeting with him and then was about to fight Anderson if it had not been for Seras.

Volume 4 He is sent to the Queen's mansion to explain about Millennium and then Schrodinger shows up and uses the TV to let the Major message them. Alucard uses gun to shot Schrodinger bt the orders of Integra and then Schro's body disappears.

He then later appears alongside Integra and Walter how to aboard the eagle held by Rip van Winkle and easily kills her,he then laughs manically in Volume 5.

Volume 6 Alucard uses the Eagle to transport him back to London. Volume 7 he finally returns to England to fight against Millennium and the Vatican forces.

Alucard in his Vlad Dracula look greets Integra and Seras however Anderson attacks Alucard in a sword duel Alucard returns to his previous form using his Gun the Jackal against Anderson slowly wounding his Arm.

Anderson and Alucard encountered in a stare-down and Anderson uses Helena's Nail Alucard knows what it is and what it does,he begs Anderson not to become a monster like him but Anderson still used it on his heart causing him to become a creature of Thorns and vines called a monster of God by Alucard.

Later they continued fighting and then Anderson used his new powers to stab Alucard and burn all his familiars. In Volume 9 Alucard was about to be defeated, but Seras intervened and awakened him Alucard rams into Anderson's heart and removes it, along with destroying the nail.

Anderson gave a words of pity to Alucard before he dies. Then Walter as a Vampire jumps from the air and crushes Anderson's remains follow by killing Yumie.

When Integra regretfully comments on how old she is now, Alucard simply tells her that it is fine with him. She then smiles, bites her finger, and gives him a drop of blood as Alucard, having finally earned his right to immortality, licks.

Alucard's eyes seem to have changed slightly due to possessing only a single soul. Arthur Hellsing was Alucard's previous master before Integra Hellsing.

Nothing is known about their relationship, although it's possible that Alucard respected him. For instance, in the Gonzo anime, when a young Integra stands up to Alucard after he tries to intimidate her in Episode 10, he proclaims "You ARE your father's daughter!

Seras Victoria is Alucard's first fledgling since Mina Harker. Alucard holds deep feelings of admiration towards his fledgling, Seras.

He states to Walter and Integra that he turned her into a vampire on a whim based on Seras' own decision to live. He reveals to Walter that he finds her a fascinating creature and seems to admire her will to live despite the hellish events in Cheddar Village.

As he watched her die, he apologized for shooting her and told her it was necessary, and while he watched her die with tears in her eyes, he actually went so far as to hold her hand.

While he is frustrated with her refusal to drink blood at first, he was always confident that eventually she would drink and seemed quite proud of her when the time came.

Alucard takes on a role of a mentor and teacher to help Seras reach her full potential. As Seras lost her parents at a young age, her fondness and love for Alucard could be similar to a daughter's love for her father.

Hirano said that the love they share could be something closer to the ties of family. We cannot just say it's father and daughter. At times, Seras seems nervous and uneasy around Alucard, mainly due to his constant berating about her being a pathetic vampire during the early days of Seras' vampire life.

She also strongly objects to Alucard's unnecessary cruelty towards human beings. While she does not partake in the slaughter of the SWAT team, she aides Alucard in his combat with Tubalcain Alhambra and later attempts to fight Alexander Anderson though her attack is comically cut short.

As the series progresses, her shy and nervous behavior towards Alucard loosens up a bit once she becomes a full-fledged vampire, and he addresses her by name.

During Alucard's fight with Anderson, Seras comes to his rescue in a desperate attempt to save him. After stopping the strike by Anderson, Seras' alarmed calls bring Alucard back from torpor.

The last visage in his dream was Seras' face, ending the flashback and chapter with the words: "There is a voice.

There is a voice calling out. Your voice sounds fine regardless; like fragments of shattered melody Go and conquer, Seras.

In the end, Seras is the only one who has undying faith of his return. It should be mentioned that Alucard's and Seras' behaviours switch somehow between the first series and the OVA.

In the TV series, Alucard seems to be more gentle and understanding compared to his OVA counterpart who is more harsh and Seras seems to be more serious compared to her OVA counterpart.

Alucard is extremely devoted to Integra Hellsing, his current master and the Hellsing Organization's leader. In all versions of Hellsing, Alucard and Integra share a complex but strict "master and servant" relationship.

Integra has been connected to him since her father's death. Arthur Hellsing named her the new head of the Hellsing Organization, a decision that drove her jealous uncle to try and kill her.

Using the air ducts, Integra snuck into the dungeons of the Hellsing estate's sub-levels recalling that her father said she would find her "salvation" there, should she find herself in the face of death at the hands of her enemies and found Alucard's corpse Hellsing's "greatest legacy" according to Arthur in one of the rooms.

Shortly upon discovering him, Richard finds her and shoots her. The bullet grazed her arm and the blood from her injury fell onto the corpse, awakening Alucard.

He kills all the men in the room and severs Richard's arm before pledging his allegiance to his new master. After protecting her from Richard's final attempt to kill her, Alucard allows Integra to kill her uncle herself.

In the television series, Alucard offered Integra to be a vampire shortly after his awakening, but only when she bravely defied him did he consider her worthy of his respect and servitude and fit to be the head of the Hellsing family.

Alucard claimed that Integra "Hasn't changed, she is still so childish Over the years, Alucard and Walter help her grow and mature into the leader and master she becomes.

As such, Integra is the only person whom Alucard will obey. Integra is also one of few people whose life and honor Alucard will bother to openly protect.

In Episode 9 Red Rose Vertigo of the television series, Alucard is moved to shock and rage when Incognito implies that Integra has been killed.

Rather than stay and fight, Alucard makes a hasty return to the Hellsing manor to kill Laura before she could turn Integra into a ghoul.

Alucard and Walter are old and close friends, almost like brothers. However, when Walter betrayed Hellsing, Alucard began to see him as a mere plaything, even going so far as to call Walter's younger vampiric body ugly and state that his elderly human body was "a thousand times more beautiful".

Upon his return from Rio de Janeiro, they speak to each other as old friends. Alucard sees her as the "same spirited young woman he met fifty years ago," and that to his eyes, "time had made her even more beautiful.

Anderson and Alucard have an intense and fiercely competitive rivalry that borders on kinship; their remarkable similarities and nature as polar opposites fuel both their intellectual and physical combat.

The relationship between the two grows as the series goes on. The two almost seem to live so that they can fight each other.

When Anderson turns into a monster towards the end of the season and is defeated by Alucard, Alucard cries. The sense of respect between the two is most apparent when Anderson tells Alucard not to cry and points out that he Alucard became a monster so that he no longer had to cry.

Unlike many other enemies, Anderson is the only opponent that Alucard has ever shown respect for in battle, and even states he would have let Anderson kill him when he had the chance as a human.

Not much is known about Alucard's interactions with The Major before the series, but the two hold a great deal of hatred for each other.

The Major also holds this grudge most likely stemming from Alucard's and Walter's attack on Millennium's headquarters during WWII and has vowed to exact revenge ever since.

Alucard, in some strange sense, seems to almost feel a sense of joy upon the return of the Major and the Millennium Organization, which is evidenced by him stating: "Excellent.

I can't wait to destroy you again! Alucard seems to think of himself and The Major as "incorrigible warmongers" and the lust for battle never being enough for them.

It could be possible that The Major reminds Alucard of his former life as Vlad the Impaler, and because of this, Alucard seeks to destroy him once and for all.

During the first fight between him and Luke, he was at first very impressed by Luke's abilities and comments his reflexes are amazing.

Due to the fact that Alucard rarely praises his opponents, this could be considered a form of respect, similar to how he praised Alexander Anderson.

While the battle goes on, Alucard asks for Luke's name again; he states the battle was the most fun he had in ages, and remarks that his skills are above that of even the most powerful vampires.

Once he transforms, however, and impatiently waits for Luke to regenerate his legs, he realizes that Luke is nothing but a spineless coward who ran away in terror when faced with an opponent more powerful than him.

After Luke is eaten by the Baskerville, Alucard says he was nothing but dog shit. When Luke was used by Walter against Alucard, he once again praises Luke for his skills and states that his talents were wasted being inside Baskerville, implying that Alucard regretted not making Luke into a familiar instead of letting him rot inside of Baskerville.

Alucard also states that dog shit would do in a pinch, after successfully fooling Walter into attacking his double which was Luke's body.

The following are Alucard's powers gained from both his being a Vampire and due to several years of research by the Hellsing Organization.

Alucard is an extremely formidable and deadly opponent who can cut down most supernatural enemies without releasing the seals that contain his true power.

However, the ghoul army formed by the devoured souls in Alucard may be one of these alterations. Dracula didn't use this ability against Prof.

Van Helsing and his crew according to the flashbacks in the manga and of course according to Bram Stoker's novel, which is a base of Hellsing.

In addition, Van Helsing admitted that they had destroyed all of the vampire's servants which means these servants can't re-appear in It is possible that through occult, the Hellsing family managed to unlock Alucard's ability and allowed him full access to all the souls he had consumed, and made it possible to release them on the battlefield in Control Art Restriction System Level Zero.

Also, the Major seemed to know much about Alucard's release states. It's possible that Alucard may not have had these abilities while Dracula, but naturally got them later on, without Hellsing's interference, as Alucard expected Luke to summon his familiars during their battle.

This contradicts the conjecture that this is exclusive to Alucard, however, it is yet to be revealed in the ongoing Dawn-series whether these assumptions are true or not.

Alucard is an exceedingly lethal combatant even when unarmed, due to his extensive supernatural abilities and strength, but he also uses various weapons in battle.

These have included swords, machine guns, and traditional vampire-slaying tools such as stakes and crosses.

Additionally, Alucard has two signature weapons: a pair of intimidating, high powered semi-automatic handguns named the.

The ammunition for Alucard's Casull and Jackal appear to be high impact, hollow point rounds, giving them even more stopping power. Being too powerful to be left on his own, his power is restricted by the "Control Art Restriction System" and has to be accessed by the "Cromwell Invocation".

There are shown to be six levels of restriction and six corresponding states, with lower numbers meaning greater levels of power.

He can often be heard stating what level he is releasing immediately prior to combat "Releasing control art restriction to level two".

This is, perhaps, a requirement of the release mechanism, but this has never been confirmed and is likely a literary device. Another possible reason is that it is to unnerve his opponents as he goes into battle.

Given what has been seen of his personality, this is quite likely. Alucard can release his power up to Level One by himself, but he needs his master's approval to release his final state - Level Zero, the lowest level, allowing him full access to his most devastating powers.

It is noticeable that Alucard's attire sometimes changes according to how much power he is using: as he charges up to engage in battle, first his sunglasses, then his fedora will disappear; in the manga he also removes his arms from the sleeves of his coat letting it simply just hang on his shoulders like a cloak whilst he fires from underneath it.

It has been posited that these articles of clothing are direct physical manifestations of whatever system Hellsing uses to control Alucard, with his leather straight jacket representing his true nature.

However, in Hellsing OVA II, in the flashback scene where Alucard recalls being beaten by Abraham Van Hellsing, Alucard is still seen wearing these gloves, despite the fact that he was not yet under their control.

This is a continuity error, because when compared to the panel from the manga, it shows normal white gloves. In this form he appeared as his former, year-old self with a thick beard and mustache.

He also wore heavy medieval armor with a huge tattered cloak and carried a long sword. However, he quickly returned to his normal form when confronted by Anderson.

The enormous army surrounding him in this state, along with the souls of every single person he has ever drank the blood of, accompanies this form as well.

Some fans claim that his "girly form" is the Hellsing family doing. However, in Hellsing: The Dawn, chapter 4, Walter questioned Alucard's girly form and asked if he is still half asleep, in which Alucard answered "I can change my shape into anything.

The particular form I take Also in volume 9, Alucard also admits in his 'Girlycard' form that "There's never any meaning in the form that I take". Alucard's different shapes from top to bottom: as a young girl "Girlycard" , in his usual vampiric form "Count" , and in his human form as Vlad III Dracula the Impaler.

The only real difference between each form is the preferred method of fighting; in "Girlycard" form he uses a tommygun, in "Count" form he uses his dual pistols, in "Nosferatu, the no-life king" form he uses his hands and shadows to fight, and in "Dracula" form he primarily uses his Claymore sword.

To sum it up, the release states are not just the markers of Alucard's growing powers, they also have an effect on his appearance and fighting methods as well.

Up to level 1, Alucard usually takes his "Count-form", even with his new personality, he still takes the form he once had as Count Dracula.

Hellsing , Volume 4. Hellsing , Volume 9. Dark Horse Comics. Hellsing , Volume 1. Hellsing , Volume 3. Hellsing , Volume 2.

March 27, Retrieved September 22, July 6, Archived from the original on August 2, Retrieved May 7, Anime News Network.

Retrieved February 23, M Anime Reviews. Retrieved March 13, Hellsing by Kouta Hirano. Chapters Characters Alucard Episodes.

Bram Stoker 's Dracula. Transylvania Mad Monster Party? Dracula " Dracula Dracula Dracula Dracula Dracula Dracula Purgatori. The Fury of Dracula.

Son of the Dragon. Lugosi v. Category Dracula Category derivatives.

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